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Unfinished Works and What To Do With Them.

 

Hi Jim,

I have a number of stories that I’ve just completely run out of steam on. I don’t want to finish them, I’m not enthusiastic about writing them anymore. I was wondering, what do you think I should do with them? I spent a lot of time on them and it seems a shame to just up and delete them. What do you think?

Thanks,
Nick


Hi Nick,

I hear you. It’s always tough to bite the bullet and give up on a story that you’ve worked so hard on. I’ve posted a number of my unfinished stories here, which you can go back and read if you like.

All right to answer your question, there are quite a few things you can do with them. First, you could put them on the back burner. Who knows, you may come up with a way to continue the story sometime down the line. It’s never too late to go back and re-examine your previous works.

Secondly, you can always recycle the characters. Keep them around and reuse them later on in another book. If you write another story and are looking for dynamic characters to use, why write new ones? You’ve got characters right in a saved file that you were at one time very enthusiastic about. This is your chance to give them the finished story that they deserve.

Third, use those stories as a reference. Believe it or not, an abandoned Star Wars fanfic I wrote many years ago became the sequel to my first full-length novel, Divinity. Yes obviously the Face of Evil was cannibalized beyond recognition when it was rewritten as Damnation, but some elements of the original story still exist. If not for keeping a copy of The Face of Evil, Damnation may have either never existed or been a lot different than it is.

Finally, find another author to read and finish the work. Yes, there’s no rule that says you can’t co-author the story with someone else. I’ve personally never done this, but I have heard of others doing it with some success.

So I think in the end, having a library of unfinished works around cost you nothing more than a few megabytes. They’re good reference, a good starting point, and may be something you can revisit later on. So my advice to you is never to delete your writing. Don’t tear it up, don’t destroy it. Even in it’s unfinished form, the story itself has value.

Anyway, I hope this gives you some insight. If you have any further questions, please feel free to email me. Now let’s open it up to the other writers on here. What does everyone else think? What do you do with works that you can’t finish? Do you keep them around or just keep certain elements in your head? Is there some value in keeping them around?



Readers,

Do you have a question about writing, publishing, my stories, etc? Please feel free to post a comment or email me.

jimthewritingwizard@gmail.com

I’ll use those comments to select my next blog post.

I have been writing for several years, have 4 published works, experience with publishing and independent work, so I can hopefully be of assistance.

Please note, I only do one of these a day and will do my best to respond to everyone, but it may take some time.

Also, feel free to check out my works of Fantasy and Historical Fiction, Available on Amazon and where ever books are sold. See the link below:

http://www.amazon.com/James-Harrington/e/B00P7FBXTU

Note:
If you have read my books, PLEASE log into Amazon and post a review. I really love to hear everyone’s thoughts and constructive criticisms. Reviews help get my book attention and word of mouth is everything in this business!

Thanks friends!

Catch you on the flip side!

-Jim

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Drakin, where to buy, and what’s next? #Writing #Fantasy #SciFi

Hello all!

I hope everyone has enjoyed The Drakin Series!! Please don’t forget to leave me a review on Amazon once you’re done. That really helps me out a lot.

Copies of these books, as well as my others, can be purchased on Amazon by following this link:

James Harrington’s Author Page

They’re also available at Barnes and Noble, as well as many other places where books are sold!

Please feel free to like and reblog this post. Word of mouth helps us writers out a lot!


Drakin: The Story of Raiya


Book Synopsis:
‘ “Abomination, freak, monster…”  You get used to names like these when you have yellow eyes, horns, and scales, but Raiya could have really cared less.

After being forced into exile because of her appearance, Raiya’s mind has been focused on one goal; hunting down the dragon lord that killed her parents. For over thirty years, humanity has been locked in a struggle for survival against a race of dragons that had fallen from the heavens. They took everything from her and consumed the planet in a fierce war. Humanity’s numbers are quickly dwindling, leaving her few options in the way of allies.

What she doesn’t know is that her journey will strike at the very heart of the Red War and uncover truths about her past that she may not want to know. Can she finish what she started while coming to terms with the truths of her origin? ‘


Drakin: The Orphans of Haven


Book Synopsis:

The Red War may be over, but not all wounds have healed. For Sergeant Radley Zall, the nightmares never end. After years of struggling for survival, he finds himself in a dead end job, deporting wayward dragons to the Exclusion Zone. The horrors of his past have left him a broken man, slowing killing himself in a bottle of whiskey. It’s a wearying existence that many former soldiers have been subject to since the war ended, but for Radley, that is all about to change. Throughout his life, Radley’s hatred of dragons has been unmatched until one evening when a small one shows up on his doorstep. The pathetic creature is emaciated and begging for shelter. Her appearance reminds him of his younger self, compelling him to help her. That uncharacteristic decision forces him to confront his past actions— some of which may have contributed to a sinister plot to reignite the Red War and wipe out the few remaining dragons on Earth.


DRAKIN: An Empire of Ashes


 

Synopsis:

Two hundred years have passed, and the Red War has become a distant memory for most. Dragons and humans now live together in peace… but one powerful woman who has been deranged by her own history unleashes her vengeance on a helpless population.

Now, the world’s only hope for survival rests with Kaori, a naïve and wayward princess of the Eastern Empire. Having been disillusioned with her mother’s rule, she discovers a dark secret about her family that will change the course of history forever. She soon crosses paths with Nayeli and Joaquim, a pair of rogues living within her borders.

Their fight for survival takes an unexpected turn as a shadow of from the past reveals that the situation is more dangerous than they know. The fate of billions of lives rests on these three unlikely companions putting aside their differences to stand against the world.



Readers,

Do you have a question about writing, publishing, my stories, etc? Please feel free to post a comment or email me.

jimthewritingwizard@gmail.com

I’ll use those comments to select my next blog post.

I have been writing for several years, have 4 published works, experience with publishing and independent work, so I can hopefully be of assistance.

Please note, I only do one of these a day and will do my best to respond to everyone, but it may take some time.

Also, feel free to check out my works of Fantasy and Historical Fiction, Available on Amazon and where ever books are sold. See the link below:

http://www.amazon.com/James-Harrington/e/B00P7FBXTU

Note:
If you have read my books, PLEASE log into Amazon and post a review. I really love to hear everyone’s thoughts and constructive criticisms. Reviews help get my book attention and word of mouth is everything in this business!

Thanks friends!

Catch you on the flip side!

-Jim

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Imperfection is Writing Perfection.

 

Recently I’ve spoken about some characters and how aspects of those characters are ‘perfect’, ‘flawless’, or even ‘saintly’. How terrible things happen to these characters, yet they come away unscathed with no lasting physical or emotional scars. In other cases, they are just perfect throughout the entire story; always making the right decisions, never having to worry about ramifications, and never losing their temper or even being affected.

We see this often in kids movies and YA fiction. Too often they are the product of how the writers THINK kids behave (seriously, you can tell which ones have kids and which don’t), or how the believe kids SHOULD behave. I like to refer to this as the ‘Brady Bunch Effect’ even though some of these are arguably worse than the characters in that show. These characters are usually so stale that when a bully does something to them, and then turns around and accuses them of the same crime, the character will just stand there and accept the punishment, despite having done nothing wrong.

I’ve spoken about this trope before as it’s honestly one of the few times you’ll find me screaming at a book. It literally drives me insane. There is no rhyme or reason for this other than the fact that these characters are, by nature, frustratingly passive. This causes a whole load of other problems, but that’s a conversation of already had.

Back on track…

What is wrong with perfect characters? Well for starters, they aren’t actually characters. They aren’t dimensional, they don’t grow, they don’t change, and there is little to nothing dynamic about them. They are perfect character ‘archetypes’. As such, they are not relate-able and by default are also very unlikable. Most people I’ve spoken to find these types of characters frustrating as you spend most of the story hoping to see a reaction or some ounce of humanity that they can attach to.

For people to be able to relate to a character, that character needs to have traits that an audience can attach to. Contrary to the beliefs of some, that includes flaws. Your character has to have flaws… and no, what I said about a character being so perfect that they’re not relate-able is not a flaw, that’s a cop out. They need to have a realistic flaw, being a character flaw, a fear, a temper, a naivety, something that normal people have.

Maybe they made a bad decision that landed them in a situation that members of the audience can relate to? Hindsight is 20/20 and we don’t always know what the right decision is.

This is likely the reason why people are gravitating towards tragic villains and anti-heroes.

So how do we write characters that people can relate to?

I’m sorry to say this, but if you don’t know how to do that, you need to stop writing. Put the pen down or turn the computer off, because if you’re writing characters the way I mentioned above, you’re going to run into problems.

My advice is to stop and think of someone you know that you like. Why do you like them? What about them do you relate to? Explore those things and figure out that person’s positive and negative traits. If that doesn’t work, go out in public and just listen to people. Listen to their stories, listen to their conversations (without being creepy) and think about what they have to say. It should help.



Readers,

Do you have a question about writing, publishing, my stories, etc? Please feel free to post a comment or email me.

jimthewritingwizard@gmail.com

I’ll use those comments to select my next blog post.

I have been writing for several years, have 4 published works, experience with publishing and independent work, so I can hopefully be of assistance.

Please note, I only do one of these a day and will do my best to respond to everyone, but it may take some time.

Also, feel free to check out my works of Fantasy and Historical Fiction, Available on Amazon and where ever books are sold. See the link below:

http://www.amazon.com/James-Harrington/e/B00P7FBXTU

Note:
If you have read my books, PLEASE log into Amazon and post a review. I really love to hear everyone’s thoughts and constructive criticisms. Reviews help get my book attention and word of mouth is everything in this business!

Thanks friends!

Catch you on the flip side!

-Jim

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The Neutrality Narrative #Writing #Author #Advice

Hi Jim,

I have a quick question for you. I’m trying to write a story about a certain point in history, it’s technically a work of fiction, but it’s going to be historical fiction and I want to present the perspectives of both sides. I’m worried that doing so could wind up being offensive and making people angry. What do you think I should do?

Thanks in advance for your help
(Anonymous by request)


Hello,

So I’m going to assume that the time period in question and/or one side isn’t what we would consider ‘on the ball’ in terms of morality?

Well honestly, that’s kind of one of the dangers of writing historical fiction/fantasy. You’re going to piss off someone’s sensibility no matter what. If you portray your story from an ideological standpoint, and don’t go for historical accuracy, you’re going to bother the history buffs out there who read your book. They will tear it apart. On the other hand, if you’re going to go the other way and go full historical accuracy,  dealing with issues and behavior that aren’t exactly welcome in polite society, you’re going to get yourself in trouble there too.

It’s a tough call and frankly, one we’ve seen happen in a few cases. I’m going to forewarn you that I will admit to a certain bias here as I am a history buff and do prefer reading the unfiltered facts about what happened and deciding the ‘truth’ or what’s right, based on my own morality.

Some of the best storytellers out there trust their audience to take the information in its entirety and still be able to draw the correct answer out of it… sadly, this is not always the case.

Gene Siskel, God rest his soul, lambasted the movie ‘Gettysburg’ as pure bloated propaganda. The reason behind that is, simply put, part of the story is told from a southern perspective as though the Southerners were telling it. Today, this wouldn’t be considered politically correct, but it was accurate. There’s a scene where Confederate soldiers are talking to a union officer about what they’re fighting for and they say something to the effect that they’re fighting for their rights.
Gene took issue with scenes like this because the confederate soldiers didn’t bring up slavery, but in honesty, this is an accurate portrayal. The confederates believed that they were losing influence in our government and that states rights were taking a back seat to the Federal Government and this became glaringly obvious when the feds wanted to abolish slavery, despite opposition in the south. The south saw this as validation of what they had feared and seceded. So it is accurate that a southern soldier would say that they’re fighting for their rights… and the “right” that was being taken away was the right to own slaves.

Now, if that was the only perspective we got, I’d agree with Siskel. However, we also got a Union perspective where slavery was absolutely at the forefront of why they were fighting.  This balances things out and really gives the movie a more neutral stance.

Another example is the band Sabaton. They sing songs about allied brigades during WW1, WW2, and even ancient history. Their song about the 82nd Airborne is amazing, as is the song about the Lost Battalion. However, they also do songs about the German Ghost Division and the Bismarck. At times, they have been accused of glorifying Nazism, but they say that they’re basically just telling a story about who these people were and what they did. Honestly, looking through their lyrics, they do seem mostly neutral when it comes to their songs.

Now you can argue that being neutral is being complacent or to some, even complicit, but I’d say that this is not really fair. If people don’t write stories about these people, present them as they were, and talk about the things they did, then people don’t learn about past mistakes and run the risk of repeating them. These people existed and the things that they did happened. There is nothing we can do about it except tell their stories and put them in the limelight so that what happened can never be forgotten.
History doesn’t care about sensibilities, it is not pretty, and it will not censor itself.

Now, let’s be clear, you’re not writing a textbook. You’re writing historical fiction and that’s where you could get yourself into trouble. IMHO there is absolutely nothing wrong with showing these people as they were, what they believed, what they thought, and how they behaved. Some of the best stories trusted the audience to look at both sides and take the right message away without hammering it into them. It is a skill in storytelling that is slowly dying out.

If you decide to go this route and present both sides equally and allow them to tell their own stories… you better be damn careful that you do everything in your power to research both sides accurately. History people will pick your story apart with a fine-toothed comb and if they find out that what you wrote isn’t accurate, you’ll have twice as many people angry at you. I know it’s historical fiction, but you’re going to have some real life people and events in your story and if you’re taking a neutral stance, you need to present both sides accurately and equally. It’s as simple as that, if you make mistakes, it will come off as propaganda or perhaps promoting the wrong side.

Anyway, I wish you nothing but luck in your endeavor. I’m curious to see which path you decide to take and would love for you to follow up with me later on.
Until then, let’s open the floor. Readers, how do you think this person should handle reporting on the less glamorous aspects of history in their book?

Let them know!



Readers,

Do you have a question about writing, publishing, my stories, etc? Please feel free to post a comment or email me.

jimthewritingwizard@gmail.com

I’ll use those comments to select my next blog post.

I have been writing for several years, have 4 published works, experience with publishing and independent work, so I can hopefully be of assistance.

Please note, I only do one of these a day and will do my best to respond to everyone, but it may take some time.

Also, feel free to check out my works of Fantasy and Historical Fiction, Available on Amazon and where ever books are sold. See the link below:

http://www.amazon.com/James-Harrington/e/B00P7FBXTU

Note:
If you have read my books, PLEASE log into Amazon and post a review. I really love to hear everyone’s thoughts and constructive criticisms. Reviews help get my book attention and word of mouth is everything in this business!

Thanks friends!

Catch you on the flip side!

-Jim

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The Last Rite Redemption #Writing #Author #Advice

 

Hi Jim,

I have a character in my story that I want to turn from a bad guy into a good guy. The problem is that he’s guilty of committing several atrocities including mass genocide. I don’t see how I can turn him into a good guy in a way that I can redeem him. Any thoughts?

Thanks,
Linney


Hi Linney,

Oooooo that is a tough one. Redeeming someone who committed mass genocide is certainly a tall order and frankly… it’s impossible. Morally, there really isn’t any way a person can be redeemed for committing such a heinous crime. I think at most, heroes would accept that person as an ally of convenience at most.

In truth, both Lucasfilm and Marvel really seemed to struggle with this one. Lucasfilm had to find a way to ‘save’ Anakin Skywalker at the end of Return of the Jedi. This is the guy who killed multiple Jedi including young children. How can one be redeemed from something like that? Well… they went about it in kind of a weird way. It’s sort of an ambiguous explanation, but Obi Wan seems to imply that Darth Vader and Anakin Skywalker are in fact two different people. Could it be that the force influence over a Jedi alters their personality when they go from light to dark and vice versa?
Luke: You mean it controls your actions?
Obi Wan: Partially, but it also obeys your commands.

Obi Wan: Your father was seduced by the dark side of the force. He ceased to be Anakin Skywalker and became Darth Vader. When that happened, the good man who was your father, was destroyed.

So it is kind of implied that this is the case.

Marvel really messed up on this one… everyone already knows my opinion on the Phoenix Saga, but when the writers decided to resurrect Jean Grey, they had to figure out a way to do it that absolved her of the mass genocide she’d committed as Phoenix… despite the fact that she wasn’t even really responsible for her actions. To do that, they made it so that her and the Phoenix were two different beings and the Phoenix had essentially copied her physical characteristics.

So if you’re not willing to do a workaround, and I highly advise against it, I’d say that you probably can’t absolve the character. You can have them work for good, but they’ll never be out from under what they did. At best, I’d say by the end of the story, kill that character off. Have them sacrifice themselves to save the heroes or another large group of people.
I call this particular plot device the ‘Last Rite Redemption’. In my opinion the only way to cleanse the soul of someone who has committed such horrible crimes would be for that person to willingly give their lives to destroy an ultimate evil or save an ultimate good. Even then it may not be a redemption, but that’s as close as you’re going to get.

If you’re hoping to make that character a hero… likely that’s never going to happen.

Readers, what do you think? Do you have any advice for Linney?

 



Readers,

Do you have a question about writing, publishing, my stories, etc? Please feel free to post a comment or email me.

jimthewritingwizard@gmail.com

I’ll use those comments to select my next blog post.

I have been writing for several years, have 4 published works, experience with publishing and independent work, so I can hopefully be of assistance.

Please note, I only do one of these a day and will do my best to respond to everyone, but it may take some time.

Also, feel free to check out my works of Fantasy and Historical Fiction, Available on Amazon and where ever books are sold. See the link below:

http://www.amazon.com/James-Harrington/e/B00P7FBXTU

Thanks friends!

Catch you on the flip side!

-Jim

 

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The Cameo Takeover

Hi Jim,

I’m trying to write a new story and have a few characters make cameos from the previous one. Basically my story is set in the same timeline and one or two characters make appearances in order to connect the stories. However I seem to run into issues with the cameo characters taking over the story. I’ve had to do a rewrite a few times. Can you help me?

Thanks,
Michaela


 

Mi Micahaela,

If you’re having so much trouble limiting your old characters’ appearances… why not make the new story about them? If you love your characters so much that you can’t help but keep writing about them, there is no rule saying that you can’t just make the story about them with maybe your new characters simply joining the team.

The other thing you can do is give your character cameos one or two scenes and then cut them off completely. Don’t bring them back in and don’t mention them again, just make a clean break.

Without knowing more details about the characters, I’m afraid I can’t offer too much more in the way of guidance. Please feel free to email me when you get a chance.

Readers, what about you? Any other advice?



Readers,

Do you have a question about writing, publishing, my stories, etc? Please feel free to post a comment or email me.

jimthewritingwizard@gmail.com

I’ll use those comments to select my next blog post.

I have been writing for several years, have 4 published works, experience with publishing and independent work, so I can hopefully be of assistance.

Please note, I only do one of these a day and will do my best to respond to everyone, but it may take some time.

Also, feel free to check out my works of Fantasy and Historical Fiction, Available on Amazon and where ever books are sold. See the link below:

http://www.amazon.com/James-Harrington/e/B00P7FBXTU

Thanks friends!

Catch you on the flip side!

-Jim

 

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Writers vs. Fans… Who Makes the Call.

 

Hi Jim,

I’m currently writing a sequel to a short story I posted recently and was hoping you could give me some advice. I’ve been getting a lot of people emailing me with questions, suggestions, and criticisms about the previews. A lot of people don’t seem to like the direction I’m taking my story. To me it feels natural, but given the level of objection, I’m wondering if I should scrap the story all together and start from scratch. I don’t know what to do.

Thanks,
MB Nelson.


Hi MB,

You have my sympathies. That’s a pretty tough conundrum you’re dealing with. My advice is and has always been to write how you want to write. In the end, your fans are your fans because they like what YOU created.

That being said, I know a lot of people these days are angry about reboots of beloved series and movies (Ghostbusters, Star Trek, etc.), and I’m definitely in their camp. However I’m not against these series and reboots being made. I simply vote with my dollar and don’t partake in these movies/books/TV shows if I don’t think I’ll like them.

So that’s the rub, you have every right to create your stories from your IP as you see fit. Just be aware, your audience also has the right to criticize your work and choose not to partake in it. This is a risk we, as writers, have to take every day of our lives. I always take constructive criticism, but in the end, I’ll still do what I believe is right whether that is following the advice or not.

One side note I will say, do not get mad at your fan base. As I’ve stated in multiple posts, getting mad, argumentative, or going out of your way to taunt your detractors, or accuse them of some kind of bias is a quick way to lose yourself an audience. Take the criticisms with a grain of sand and do as you see fit. Just keep a cool head.

If you wind up losing a large portion of your audience or they don’t like your book, then you have a few options open to you…

  1. Abandon the series. I don’t recommend this lightly, but if you’re doing this as a source of income and people really don’t like the direction you’re taking your story, then it may be time to end it. Fans are a fickle thing and once they’re turned off, it can be very hard to win them back unless the next follow up is Empire Strikes Back level good.
  2. Divergent Timeline. I know a few people MAY see this as kowtowing a bit and maybe it is, but usually when I write, I have multiple directions in mind that a story can go. After fleshing the story out, I’m subject to change that because something didn’t fit. Maybe you could explore one of the other paths and create a sort of ‘what if’ timeline. I actually have a few novels written like that which I’ve never published.
  3. Press on. If you’ve got the sort of Devil May Care attitude, you can try to press on and hope that the overall story will reconnect with your fans… its not easy to do and I’ve rarely seen it succeed, but it’s not impossible.

Anyway I hope this helps a little bit. I definitely think you should write your story the way it works for you. Above all else, if you’re not enthusiastic about what you write, you certainly can’t expect your fans to be.

Let’s open this up though, readers does anyone have a suggestion for Nelson? Let us know in the comments.



Readers,

Do you have a question about writing, publishing, my stories, etc? Please feel free to post a comment or email me.

jimthewritingwizard@gmail.com

I’ll use those comments to select my next blog post.

I have been writing for several years, have 4 published works, experience with publishing and independent work, so I can hopefully be of assistance.

Please note, I only do one of these a day and will do my best to respond to everyone, but it may take some time.

Also, feel free to check out my works of Fantasy and Historical Fiction, Available on Amazon and where ever books are sold. See the link below:

http://www.amazon.com/James-Harrington/e/B00P7FBXTU

Thanks friends!

Catch you on the flip side!

-Jim

 

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Major Character Trait Annoyance!

 

This is more of a rant, so if you’re looking for advice, you can skip this post.

Have you ever seen or read about a character that at some point in the story encounters an issue that he was neither the cause of nor at fault with… yet when he’s confronted, he says nothing… for no apparent reason?

It’s especially frustrating when the person who confronted him later finds out that the character wasn’t at fault… but for some reason doesn’t ask why that character didn’t tell him the truth.

In cases where the character is standing up for, or defending, someone else, it’s understandable. However in other cases where there is no logical reason for it, the character keeps his mouth shut, thus incurring the wrath for something s/he isn’t guilty of.

So my question is why? Why does a character do this? All the writer accomplishes by having their character do this is getting the audience mad and making them yell at the screen/book saying, “What are you doing? Defend yourself! It wasn’t your fault!”

Am I missing something here? Let me know in the comments.



Readers,

Do you have a question about writing, publishing, my stories, etc? Please feel free to post a comment or email me.

jimthewritingwizard@gmail.com

I’ll use those comments to select my next blog post.

I have been writing for several years, have 4 published works, experience with publishing and independent work, so I can hopefully be of assistance.

Please note, I only do one of these a day and will do my best to respond to everyone, but it may take some time.

Also, feel free to check out my works of Fantasy and Historical Fiction, Available on Amazon and where ever books are sold. See the link below:

http://www.amazon.com/James-Harrington/e/B00P7FBXTU

Thanks friends!

Catch you on the flip side!

-Jim

 

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Destiny: Divinity’s Finale, Book 6, Chapter 1 #Fantasy #Historical #Fiction

Book 6

Angel’s Tyre

I

 

Evening fell once more over the Black Vengeance. The lamp lights were lit on the fore and aft castles and torches were lit on the main deck. If for no other reason than to keep morale on the ship, Baltazar requested the pleasure of any crewmen not currently engaged in duty on deck for a small party. He maintained minimal crew on the masts, as well as a lookout. Gilles remained at the helm and kept the ship on course.

Once everyone was assembled, Baltazar brought a Vihuela out on deck and slowly ran his hands over the strings. His fingers formed chords on the board and thier movements generated musical notes.

Papi stood behind Baltazar and joined in on his violin while a third man drummed on one of the railings. As the music picked up, six men took the middle of the deck and their feet began to move with the music. Baltazar strummed out two Spanish folk melodies while the crew danced. Aralyn smiled and clapped along with the beat while Lailah stood off to the side and watched.

Baltazar performed a difficult solo and then ended the song. The crew applauded as Baltazar placed the guitar at his side and tapped Papi on the shoulder. Papi nodded in acknowledgement and began playing a much slower, more solemn piece. The men cleared the floor as Baltazar walked slowly walked across the deck toward his love.

Aralyn was laughing and sharing brandy and ale with some of the crew when she noticed Baltazar approach. She smiled and handed her drink to the nearest man as Baltazar bowed, took her hand, and kissed her between the pointer and index knuckles.

Without raising his head, he looked at her, “May I have the honor of a dance, milady?”

Aralyn nodded, “My pleasure, gentle sir.”

He took her hand and led her out on the floor. Her hands shook as she ran her right hand over his shoulder while he took her left one. The two closed their eyes and danced as the crew swayed side to side with the music. The two stood together and slowed little by little as the song died down.

Baltazar looked down at Aralyn. Her eyes met his and stared at him deeply. Baltazar was almost mesmerized by what he saw. In her eyes, he could see the bluest sky, the bright morning sun, and clouds pass by quickly. It was like nothing he’d ever seen in a woman’s eyes before.

The song slowly ended and they shifted from dancing position to a warm embrace. It only lasted a moment as the beat on deck suddenly changed to a much faster Spanish song and another crewman grabbed Baltazar’s Vihuela. Baltazar moved his feet quickly to the rhythm, trying to impress Aralyn. To his surprise however, she kept up with him and performed the same moves.

The two danced together while the crew clapped along with the beat. As the song picked up speed, so did their feet. Finally the song cut out and the entire crew called out, “Olay!”

Everyone broke out in cheers and applause as the young couple bowed. Another song began to play, but Baltazar and Aralyn needed to sit down. Other crew took over the dance floor as they watched the men enjoy themselves.

Lailah stood off to the side looking out to sea when a voice appeared behind her, “Pardon the intrusion lass, but would ye be so kind as to accompany this old seaman to the dance floor?”

Lailah turned to see Morgan with his hand out smiling at her. At first she looked at him oddly, but finally smiled, “Well… dancing is not something I’m really familiar with… but why not?”

She took his hand, folded her wings back as much as she could, and followed Morgan out on to the dance floor. She stumbled and almost fell as she tried to mimic the moves of the men around here, but Morgan kept her standing.

Baltazar watched from in front of the cabin as the crowd on the dance floor enjoyed themselves. When he saw Lailah being dragged out, he nudged Aralyn. She turned and started laughing when she saw what was going on. Baltazar leaned back, “You know, we never could have had a dance like this back on the old Specter.

Aralyn shrugged, “Well the deck was too small. Your old ship wasn’t designed for long voyages or anything like that.”

“Yes I know…” Baltazar replied looking out at the crew.

Aralyn noticed the look on his face and place her hand on his cheek, “What is it, my love, what’s wrong?”

Baltazar looked back at her, “Ah, it’s nothing really. I just miss the old girl sometimes. I served on her from the first day I began my life at sea. I had a lot of history there.”

Aralyn raised her eyebrow in response, “Really?”

Baltazar nodded, “I know she was a noisy old ship that leaked a lot more than I would have liked and in every way imaginable, this ship is a massive improvement… but there are moments, I find myself wishing I was still on that ship.”

“I think I understand.” Aralyn replied.

Suddenly out of nowhere, the lamp lights on deck went out. The darkness was followed by a loud war cry from above. Lailah looked up and gasped, “Imps… we’re under attack, arm yourselves!”

Baltazar stood up and grabbed his sword. He turned to see Aralyn emerge from the cabin with her family’s swords. He looked at her oddly as she searched the sky, “What, I know they’re ancient, but they’ve protected my family for generations… I’d feel a lot better if they continued to.”

“All right,” Baltazar replied, “I just hope that they hold up.”

There was another loud war cry and suddenly, the moon was blocked out by a cloud of black creatures descending on the ship. They came down on deck and attacked with black spikes.

To everyone’s surprise, Lailah reached into her dress and pulled out a metal hilt. A second later, an imp landed in front of her. The hilt ignited and spike of flame shot from the sword as though responding to the imminent danger. Panicked, the creature tried to get away, but Lailah was too quick. There was a flash of light and the creature collapsed having been cut down the middle.

The other crewmen tried to fight back as well, but their swords would not penetrate the skin of these imps. Three of the creatures surrounded Aralyn. The creatures smiled as they closed in. One of them licked his lips, “I’m told the blood of an angel is the sweetest there is!”

Aralyn raised her swords and pointed them directly at the throats of two of the imps. The swords began to glow green as the imps stepped forward. As the swords lit up, the imps stopped in their place. The largest one spoke, “Those swords… how is it you come to own them?”

Aralyn gritted her teeth, “They belonged to my family.”

The imps looked at each other, “We weren’t told that they still existed! Those were thought to have been lost at Gavinana!”

Aralyn smiled, “How unfortunate for you!”

Without another word, she twirled the swords around in her hands. The glowing blades connecting with each of the imps; the first had its arm severed at the shoulder, a second was decapitated and the third was stabbed through the chest. All three of them disintegrated into black dust.

Aralyn snorted and moved on to the next group. She managed to free a group of crewmen who had been backed into the corner by the imps. Each one of them disappeared. Their leader, Legion’s assistant shook his head, “This isn’t good, we’re getting cut down here. Legion didn’t tell us about the swords, retreat!”

Slowly, the creatures began to withdraw from the deck of the Black Vengeance. Legion’s assistant waited until all of the rest were gone. He then jumped into the air and disappeared into the darkness.

Papi was at the railing watching them fly away. Once they had disappeared from view, he turned back to the crew, “Well… that wasn’t so bad now was it?”

Lailah suddenly heard something behind him and cried out, “Mr. Clement, watch out!”

As though responding to Papi’s question, the black spike belonging to Legions assistant penetrated his chest from behind. Papi gasped for breath as the imp lifted him from the ground.

Aralyn screamed, “Papi, no!”

The creature’s high-pitch laughter penetrated the ears of the crew and made them ache. Aralyn could feel the anger building up inside of her once again. She threw one of her swords to Baltazar, “Keep it, protect the men!”

Baltazar looked at her worried, “Aralyn…?”

“Do not interfere!” She replied as she began flapping her wings.

Without another word, Aralyn jumped off the side of the Black Vengeance and took flight. Her wings flapped continuously to help her gain altitude and speed. She could feel them begin to burn as the world turned to a blur around her. The imp could not keep up the same speeds and watched helplessly as she drew closer.

Once he was certain that she was in close enough proximity, he let go of Papi’s wounded body and watched him plunge towards the ocean. Aralyn suddenly changed her course and flew straight upward. Confused, the imp turned to see that she was gone and looked down to where she had gone. He’d expected that she’d go after her fallen comrade, but she hadn’t.

Suddenly a green and white blur shot straight down and passed within a few inches of him. The imp yelped as it felt an odd sensation. He looked down to see that his torso had been cut straight down the middle and was glowing green. The imp screamed as it quickly turned to dust.

Aralyn continued to freefall towards the water with her wings folded. She dove downward until she caught up to Papi and grabbed him by the arms. Her wings quickly reopened and bent to slow her decent and bring her around so that she was flying parallel with the water. She was still flying at impressive speeds as she approached the ship.

From the ship, she looked like a faint white and green shooting start. Baltazar watched for a few moments before he realized that she was coming in fast. He watched for a few more seconds before he realized she wasn’t slowing down, “Everyone out of the way, clear the deck!”

The men scattered and climbed either into the rigging or onto one of the ship’s castles.

Aralyn shot over the railing dropped Papi on the deck and attempted to land. She was unable to find her footing, hit the deck, rolled a few times and hit her back against the far side of the ship with a loud crash. The impact of her back against the hard wood knocked the air out of her and she lay on the deck for a few moments stunned. Her world went black as she lost consciousness.

Moments later, her eyes opened and her vision returned. She looked up to see Baltazar and Lailah standing over her. Baltazar was holding her head and ran a wet cloth over her face, “Are you okay?”

“A little sore, but otherwise I’m not injured.” She replied as what happened came back to her. “Papi, what happened to my Papi?”

Lailah looked at Baltazar sadly. Baltazar returned her momentary gaze before looked back down at Aralyn, “I’m sorry my love…”

Her eyes watered and lips trembled, “What are you talking about, what happened?

Lailah sighed, “I think you better get up, he’s on the other side of the deck.”

Without another word, Aralyn shot to her feet. Waves of pain shot through her spine, but she ignored it. She saw a group of men standing on the other side of the ship. She ran to them and pushed the group out of her way, “Let me in, please.”

The crewmen cleared a path for her. Once she was through, she dropped to her knees in front of Papi. The wound to his chest was bad and he was bleeding out. Aralyn grabbed her hand and frantically tried to get him to respond, “Papi… come on stay with me!”

There was a slight groan as Papi’s head slowly began to turn. His eyes opened weakly once his face turned to her, “Aralyn…”

She nodded, “Yes, I’m here.”

Papi raised a hand to her face, “My little Messy… you’ve grown into a beautiful woman.”

Aralyn smiled, “I had a lot of help, not the least of which came from you.”

“I never had the time for a wife.” Papi said with a frown. “There was always one more adventure… one more job to do. I never complained, but the one downside was that I never had any children of my own.”

The older man placed a hand on Aralyn’s cheek. She grabbed it and held it there as though it was somehow keeping him alive. He smiled up at her, “You were that child as far as I was concerned. I always enjoyed spending time with you.”

Aralyn nodded, “No matter how busy you were, no matter what was going on, you’d drop everything to play with me when I was a child, even if it meant that you’d get an earful from Sister Mary. You were my father as far as I was ever concerned.”

“I always cared for you… little Messy,” he replied, “and I always will.”

Papi closed his eyes as his head turned back to looking straight upward. Baltazar knelt down next to her and nodded as Papi smiled, “My old friend… good luck to you, where you are going…”

Aralyn shook her head frantically, “No, no, no, I’ve already lost enough. This isn’t happening, please…”

Suddenly her hands began to glow yellow and without even thinking, she placed them on Papi. His body jolted, but nothing happened. Aralyn held on to it as long as she could. The glow began to run up her arms and consume her whole body.

Baltazar looked over at Lailah confused, “What is she doing?”

“Using her life energy.” Lailah replied. “She’s trying to bring Papi back… Baltazar you have to stop her, it won’t work.”

“What do you mean?” He asked.

“Think of it as a life transfusion.” Lailah replied, “She is sacrificing parts of her living spirit in an attempt to save him. I’ve only ever heard of one other angel ever trying this and it didn’t work.”

“What happened to that angel?” Baltazar demanded.

“She almost died.” Lailah responded. “She continuously forced her life force energy into a lifeless body, but it had no effect, he was too far gone. She was stubborn and kept trying. The end result was that her life force was almost completely depleted. When that happened, her body withered away into almost nothing.”

A scream from Aralyn interrupted them. Baltazar turned to see her entire body begin to glow and her wings spread as far as they could. Baltazar grabbed her and pulled her away from Papi’s lifeless body, “I’m sorry, my love, it’s too late. He’s gone.”

Aralyn tried to fight against his grip, “No, it’s not too late, I can save him. Please let me try! Papi…”

Baltazar ignored her cries and restrained her as best her could. Aralyn continued to fight against him, “Let me go, please… it’s not too late.”

“It is too late.” Lailah replied. “He’s at peace now.”

Tears streamed down Aralyn’s cheeks as she buried her face in Baltazar’s chest. As he protected her, Baltazar turned to the quartermaster, “Take him, and see to it that he is prepared for burial properly.”

The quartermaster nodded, “Aye sir, no problem.”

Three men helped gather up Papi’s body and bring him below deck so the quartermaster could wrap him in cloth. Once they were off the deck, Aralyn sobbed into Baltazar’s shirt, “I could have saved him… why wouldn’t you let me?”

“It would have killed you.” Baltazar replied. “He was too far gone.”

Aralyn shook her head, “You don’t know that…”

She released a deep sigh, but said nothing else. She fought hard to control her breathing as she hid her face. When she finally calmed down, Baltazar shook his head and looked at Lailah, “How much more?”

“Beg pardon?” Lailah asked.

“How much more?” He repeated in a more aggressive tone. “She has been called upon to sacrifice so much. Any normal person would have been driven to the brink of insanity by now. So again I ask you, how much more will she be expected to lose for us to be victorious?”

Lailah shook her head, “I don’t know… I can’t answer that. Hopefully no more… though it seems that Legion is now focused on the people she cares about.”

“Where were the Choirs?” Aralyn demanded. “I understand them not wanting to interfere when we fought against the corsairs, but they were supposed to be protecting us from demonic attack!”

Lailah lowered her eyes, “I’m sorry, you’re asking me questions that I cannot answer. I know General Xaphine has the Choirs scrambling to assemble for battle, but why they didn’t interfere here is anybody’s guess.”

“I’m starting to wonder if we’re fighting for the right side.” Baltazar sneered. “This is too cruel!”

“Small words,” Lailah replied, “You don’t understand what you are talking about. One is made to suffer and that is tragic, but would you seriously hold that one’s suffering over all of existence and life?”

Baltazar stood up, letting Aralyn sort out her emotions for a few more moments while he confronted Lailah. His angry glare never left her eyes, “Now you listen to me and you listen well. I fight for her and her alone. I could care less for the rest of existence outside of this ship. These people are my family. I would gladly allow the rest to fall if it meant never seeing a tear drop from Adalyn’s cheeks again.”

Lailah nodded, “Then she is lucky to have you, but how many tears do you think she will cry if Lucifer or Legion gets their way? Do you think you can sail your ship far enough to escape them? You couldn’t even escape the french without help.”

Before Baltazar could say another word, they heard a low voice behind them, “No more…”

Suddenly, Aralyn sprang to her feet and shot straight up into the air with her sword tight in her grasp. Her wings flapped hard against the air as she climbed high above the masts of the Black Vengeance. The wind whipped across her skin as she flew higher.

Once she was above the clouds, high enough that she could not be see, she screamed out as loud as she could manage, “Legion!”

There was no response. She waited for a moment and then called out again, “Legion!”

Again, no response came. Aralyn was starting to get very angry, “I know you are listening in Legion. Show your face, you coward!”

There was a quiet breeze followed by a low moaning noise. Suddenly, two yellow eyes appeared in front of her, “Aralyn…”

Aralyn clenched her jaw as she stared the demon down, “Enough of this. I won’t let you hurt anyone else ever again. I am coming for you. I know you are hiding in Tyre. If you want to run, go for it. I will not stop until you’re dead.”

Legion chuckled as she spoke, “Run? You are truly a descendant of Adaline. Do you think it is truly wise to come after us head-on? We are Legion… We are one that is many, we have existed since the dawn of time, and will continue to exist when the rest of these pathetic creatures are dust in the ground.”

“You may continue to exist,” Aralyn agreed, “but it will be under the oppressive heel of the devil, which corrupted your world. I don’t care about the macinations of Lucifer or his ilk. As long as you get locked away, I don’t care by who.”

There was a low growl, but no other response. Aralyn’s face changed from anger to malice, “It must hard… knowing that you once ruled, but are now forced to live in hiding. It must be agonizing for you knowing that your only hope rests in someone who isn’t even a true amgel.”

The eyes narrowed, “You overestimate your importance to the situation. We are all powerful and will soon rule again. You are not a factor.”

“I see.” Aralyn replied. “Well if you don’t need my powers, then I guess my part in this has all but played out. These powers have caused me nothing but pain, so I see no reason to hold on to them.”

She held up her hand and placed the stained blade on it. She was about to pull the blade across her skin when Legion’s eyes turned red, “Stop!”

Aralyn smiled smugly, knowing that she had proved her point, “I am coming for you, and we will fight. If you want my powers, you will need to suck them from my dead body.”

“That has always been the idea.” Legion agreed.

“Yes but it won’t happen if I exorcise my powers before we arrive.” Aralyn replied. “Stay away from the Black Vengeance, do not send anything else against us.”

Legion laughed, “Little insect, you do not give us orders!”

“No?” Aralyn replied, “If I see a single imp or any other creature before we reach Tyre, with all of existence as my witness, my powers will never reach you, and all you will have to kill is a mere shell of the person you intended to harvest.”

Legion’s eyes burned darker than they had. He didn’t want to admit it, but she was right. With her powers held hostage, she could tell him anything, “Very well, no creature under our command will attack you. We anxiously await your arrival, where we shall pick the flesh from your bones!”

Without another word, Legion disappeared and Aralyn returned to the ship. When she landed, Baltazar approached her, “Aralyn, are you okay?”

“I’m fine.” Aralyn replied through clenched teeth. “Let’s just get to Tyre.”

Baltazar nodded and turned to the crew, “You heard the lady, full sail.”

The crew reported to their stations and got the ship back up to full speed. Baltazar placed his hands on Aralyn’s shoulders, “What happened.”

“Legion won’t bother us again… not until we reach Tyre.” She replied. “Until then, I’d just like to be alone if that’s okay?”

Baltazar looked at her strangely, “Are you going to be all right?”

“I think so.” She replied. “I just need some time. I know you want to help, but you can’t protect me from my emotions. I just need to sort them out.”

Baltazar nodded, “I understand completely, but would you do me a favor?”

“Anything,” she replied, “just make it quick.”

Baltazar was hesitant to respond. He didn’t want to start a fight, but he knew that he wouldn’t be able to give her the space she needed otherwise, “Can you leave your swords out here with me?”

Aralyn flashed him an annoyed look that seemed to ask him if he was being serious, “You know they can’t hurt me, right?”

Baltazar nodded, “I know… just please, for my own sanity?”

She sighed and handed him the sword. He put the two blades together and turned back to Aralyn with an outstretched hand. She looked down at it and then back up at him confused. He turned his head to the side a little signaling that he knew she still had something. Finally she rolled her eyes and reached behind her. When her hand reappeared, she was holding a knife, “I seriously don’t know if this would even hurt me now.”

She handed it to him and he placed it with the rest of her blades, “Better safe than sorry.”

Aralyn nodded and turned to the cabin. She went inside and closed the door. Baltazar made his way to the aft castle and took the helm from Gilles, “You’re relieved, go help with the sails.”

Gilles saluted and headed for the main mast. A second later, Lailah appeared next to Baltazar on the helm, “I apologize for my harsh words earlier, they weren’t fair.”

“You’ve had a lot of accusations thrown at you,” Baltazar replied, “I guess it was bound to happen at some point, so don’t worry about it.”

“Thank you,” she replied, “I know that this will sound absolutely horrible, but there is one small flicker of light on this dark day.”

“I know,” Baltazar replied, “her eyes didn’t turn red this time.”

Lailah turned her head in surprise, “You are correct, but how did you know?”

“It’s hard not to notice eyes like that.” Baltazar replied. “They are unlike any I have ever seen. I think those are what first attracted me to her.”

“Nice try,” Lailah replied, “they weren’t.”

Baltazar sighed, “Okay, okay, what do you want from me? I was a scoundrel before I met her and I’ve admitted that a few times.”

Lailah smiled, “It’s okay, I know what you were… I also know who you are and what you’ve become. I know your feelings for her are sincere, otherwise I wouldn’t let you anywhere near her.”

Baltazar nodded, “Fair enough… so what does it mean?”

“Her eyes?” Lailah asked.

When Baltazar nodded, she twisted her lips and thought about it for a moment, “An angel’s eyes are the mark of divinity, indicating that they are not mortal creatures.”

“As if the wings weren’t a dead giveaway?” Baltazar asked.

“They are the source of her power.” Lailah replied. “If one is damaged, she would be severely weakened, but she would only totally be stripped if she lost both. This was done to prevent angels from cutting off their wings and becoming human.”

“Then why wasn’t she able to cut hers off when she tried?” Baltazar asked, looking at the swords on his table.

Lailah picked one up, carefully keeping the blade away from her, “In case you haven’t noticed, these are not ordinary swords. In most circumstances, a mortal weapon can not injure a divine creature. These swords were once ordinary weapons like any other, but Aralyn’s ancestors altered them.”

“Altered them?” Baltazar asked. “How?”

Lailah shook her head, “Some things are left buried in the past. All I will say is that the stains on these swords are not tarnish or a sign of neglect. These swords have been cursed and are not to be taken lightly.”

Baltazar’s eyes narrowed as he looked at them, “Very well… but that still doesn’t tell me why they wouldn’t cut her.”

Lailah held the sword up and closed her eyes, “She’s a member of the Patrisi family… That is where the allegeance of these swords lies. They will not harm her.”

“It sounds like you’re saying that these swords are able to think like you or I.” Baltazar replied.

Lailah didn’t reply. She just returned the sword to the table and turned back, “Is there anything else you wish to know?”

“You mentioned the mark of divinity… What about an angel’s halo?” Baltazar asked “I though those were supposed to be symbols of the divine.”

Lailah turned to him with an annoyed look, “More childish nonsense. You really believe we all walk around with shiny circles around our heads? So in addition looking ridiculous, if we were attacked, we’d be easy targets.”

Baltazar shrugged, “Well I guess it does sound kind of stupid.”

“It’s not stupid.” Lailah replied. “It’s just what you’ve been taught. Allow me to clarify… Your early church leaders pushed a lot of rhetorical and symbolic energy into the idea of the Most High as a source of light. As a result, the halo was added to many works including those depicting your savior, saints, and angels. It was meant to be symbolic, nothing more.”

“That does make a lot more sense.” Baltazar replied. “So what happens to one’s divinity when something like what happened to Aralyn takes place?”

“The red eyes?” Lailah asked softly.

Baltazar nodded in response. Lailah thought for a second before replying, “I’m afraid I do not know entirely. If I were to guess, I would say that it means that she was being corrupted. The anger and hate were tainting her soul thanks to Legion. So the fact that, even after extraordinary loss, it didn’t happen this time is very much to our advantage.”

Baltazar lowered his eyes, “I just wish it didn’t come at such a high price.”

“Yes…” Lailah replied. “I know how much he meant to the both of you. I didn’t mean to downplay the significance of Mr. Clement’s death.”

Baltazar shook his head, “You didn’t. I understood what you meant, but it’s still difficult on Aralyn. He’s pretty much the only family she had left. Between her parents, that sister, and Papi…”

“You are her last hope.” Lailah replied.

Baltazar frowned, “That puts us in a pretty poor place.”

Lailah stood in front of Balktazar and looked into his eyes, “You are her last source of light. If you fall now, she could be pushed into complete darkness. When that happens, all hope for the future is gone. I hope you know what that means… especially what it means to her.”

Baltazar tightened his lips and nodded, “I do… believe me, I do.”



Readers,

Do you have a question about writing, publishing, my stories, etc? Please feel free to post a comment or email me.

jimthewritingwizard@gmail.com

I’ll use those comments to select my next blog post.

I have been writing for several years, have 4 published works, experience with publishing and independent work, so I can hopefully be of assistance.

Please note, I only do one of these a day and will do my best to respond to everyone, but it may take some time.

Also, feel free to check out my works of Fantasy and Historical Fiction, Available on Amazon and where ever books are sold. See the link below:

http://www.amazon.com/James-Harrington/e/B00P7FBXTU

Thanks friends!

Catch you on the flip side!

-Jim

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Romance in Non-Romance Novels…

A good friend and writing colleague of mine recently asked me for advice about writing good romance into a story and it got me thinking…

A dangerous passtime…

Yeah, I know, but I thought I’d share some of my advice here…

So you’ve got two characters. They’re getting close… very close… but you don’t want this to become a romance novel. So how do you bring a romantic element into the story without it going fully over to the romance side of things…

Well honestly… make it an element, a plot point, just don’t make it the major point of the story. If the romance is anything more than a side mention, you’re doing something wrong.

The way I see it is that you can approach this from two ways; passively, which is what I do if I want it hinted that my characters like or love each other, but don’t want a major romantic element.

So let’s say you’ve made your decision. You know the characters are going to end up together. You want the readers to want these characters together. You want the mush, you want all that… so how do you prevent it from completely taking over the book like it so easily can?

Well first of all, donate one or two scenes to it. Don’t bring it up over and over. Let the characters experience everything once and then move on.

Second way… downplay it! In some of my more recent novels, I make the characters out to be friends, casual daters or… sex buddies at most. It’s not until the end of the story where one character reveals that they love the other… and honestly it’s only at this point that the romantic sub-plot has it’s effect.

Third way, keep the romance in hint only. What do I mean by that? Don’t come right out and say anything. Let them show affection for each other, but not like outright romantic affection. Let them connect slowly, compliment each other, work well together, and don’t even use the word ‘love.’

In any case, those are the ways I typically use. Let me know what you think in the comments.



Readers,

Do you have a question about writing, publishing, my stories, etc? Please feel free to post a comment or email me.

jimthewritingwizard@gmail.com

I’ll use those comments to select my next blog post.

I have been writing for several years, have 4 published works, experience with publishing and independent work, so I can hopefully be of assistance.

Please note, I only do one of these a day and will do my best to respond to everyone, but it may take some time.

Also, feel free to check out my works of Fantasy and Historical Fiction, Available on Amazon and where ever books are sold. See the link below:

http://www.amazon.com/James-Harrington/e/B00P7FBXTU

Thanks friends!

Catch you on the flip side!

-Jim

 

+

The Ins and Outs of Publishing, A Directory of Advice. #Writing #Author #Advice

Okay, so it looks like I’m still getting a lot of publishing questions. These are recurrent questions I get on a regular basis, and while I want to try to respond to everyone who reaches out to me, I don’t want my blog becoming redundant. So I think I’m going to repost this on a weekly basis from now on to help people navigate the publishing world. I don’t really see another way around it.

So if you have questions regarding publishing, PLEASE check below to see if any of this helps you before reaching out. I’m always happy to help, but I may have already answered your question.

Publishing is a tough road to navigate. Please check out the links below. These are previous posts I’ve made about the ins and outs of publishing. They should be of assistance in your journey:

Am I Ready To Publish? This is a must read BEFORE even considering starting the process. I can’t tell you how many authors burned bridges by not being ready.

Editing… There is a Cost That Must be Paid… or is There? You can skip this one if you’ve already had your writing edited (by someone other than you!). However, I’d still recommend reading.

Getting Published… the basics… In this post, we explore traditional publishing vs. self-publishing. Here you’ll get the pros on cons of each and the steps you need to go through in order to be successful in either.

Finally…

Copyrighting my Writing. Am I Protected? This isn’t required reading… however, if you’re concerned about plagiarism, or in the future may need to file a copyright claim, I recommend giving it a read.

Feeling overwhelmed yet? I’d be surprised if you didn’t. The only sage advice I can offer you other than the documents above is simple…

  1. Do not give up. A million “No’s” suddenly become irrelevant if you get that one “yes”.
  2. People will tell you that everyone and their mother wants to publish a book. You’re up against insurmountable odds and a flooded market. This is false. You’re not up against everyone and their mother. Permit me the luxury and I’ll prove this mathematically: First of all, take the entire group of people who want to get published. Now take that number and reduce it by roughly 60%. You just eliminated all the people who want to get something published, but don’t have the time, ability, drive, or inspiration to write. Next, eliminate another 20%. You’ve now taken down all the people who can put pen to paper but can’t afford the time/money to put the work into advertising and getting published. Eliminate another 10% who can’t take criticism and thus aren’t going to be able to get their writing properly edited. Now eliminate another 5% either don’t have the patience for or get discouraged by receiving a series of “No’s” from publishers.
    Now take that last 5% and eliminate all of them, except you. Why? Because they’re irrelevant. You have your writing and they have there’s. Whether or not you get published and how successful you are isn’t about other people’s writing. Yes, in the end, it’s you against one person, you. Whether or not I’ll ever get to buy your book off the shelf depends on you; how much time, effort, and funds you’re willing to put into your writing. So make it good!

Let’s open it up to the floor. Readers, do you have any publishing advice for our friend here? Let her know in the comments!



Readers,

Do you have a question about writing, publishing, my stories, etc? Please feel free to post a comment or email me.

jimthewritingwizard@gmail.com

I’ll use those comments to select my next blog post.

I have been writing for several years, have 4 published works, experience with publishing and independent work, so I can hopefully be of assistance.

Please note, I only do one of these a day and will do my best to respond to everyone, but it may take some time.

Also, feel free to check out my works of Fantasy and Historical Fiction, Available on Amazon and where ever books are sold. See the link below:

http://www.amazon.com/James-Harrington/e/B00P7FBXTU

Note:
If you have read my books, PLEASE log into Amazon and post a review. I really love to hear everyone’s thoughts and constructive criticisms. Reviews help get my book attention and word of mouth is everything in this business!

Thanks friends!

Catch you on the flip side!

-Jim

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Writer’s Withdrawal and What To Do Next

So you’ve finished writing your book (Congrats btw).

It’s taken you weeks, if not months. You’ve gotten all your thoughts down on paper, arranged everything coherently, and added more description and metaphor to your story.

Now you’re done and the book is in the hands of your editor. Now what? Well you are going to be doing some writing when the editor get’s back to you with each chapter, so don’t stress too much. However, now you’re not writing consistently every day. You thought that once you finished, you’d be filled with a sense of relief, but instead you’re sitting there not knowing what to do with yourself.

This can understandably be a very stressful time for a writer, mentally. You feel like you should be writing. The stress you usually feel when you’re not able to work on your book during the normal time you would is still with you. Your brain apparently hasn’t caught up with reality that YOU’VE FINISHED! So what do you do? How do you handle it?

Keep writing, duh!

No… not really a good idea. One, don’t add more to your book. If you weren’t done with it to your satisfaction, you never should have handed it off to the editor. Most of us could keep working on the same book until judgement day, but that is not healthy. Your book is done. It’s in the hands of the editor now and once the edits are complete, the next step is publishing. Let it go.

Starting on another writing assignment right off is also a bad idea. Writers are not immune to burnout and often any writing done now will suffer the effects of rebound. Painful though it may be, you need a break.

As a writer, you sacrifice a lot of time staring at a computer screen. No doubt you’ve lost out on some time with your family… and likely have put on a little weight. It’s normal as writers tend to get a little consumed. Normal, but not healthy.

Get out of the house, get some exercise, make up some lost time, do some of the things you enjoy. That keyboard will still be there when you’re ready with a new idea and you’ve had enough time to destress and detox.

This is also healthy because, in addition to allowing your mind to relax, once you’ve had a chance to detox, your mind will be wide open and receptive to new ideas. Going out and experiencing the world will give it new sensations to absorb and before you know it, you may have another story to write.

In short, yes writing is time consuming… if not life consuming, but once you’ve finished one piece, taking a break is so important. I’d say give it 3-6 months AT MINIMUM before writing something new.

Readers, how do you detox your mind after finishing your writing? How long do you take off? Let me know in the comments.



Readers,

Do you have a question about writing, publishing, my stories, etc? Please feel free to post a comment or email me.

jimthewritingwizard@gmail.com

I’ll use those comments to select my next blog post.

I have been writing for several years, have 4 published works, experience with publishing and independent work, so I can hopefully be of assistance.

Please note, I only do one of these a day and will do my best to respond to everyone, but it may take some time.

Also, feel free to check out my works of Fantasy and Historical Fiction, Available on Amazon and where ever books are sold. See the link below:

http://www.amazon.com/James-Harrington/e/B00P7FBXTU

Thanks friends!

Catch you on the flip side!

-Jim