Prequel to the Yden Trilogy!

Take a moment to check out this exciting looking new release!

Suzanne G. Rogers's avatarChild of Yden (Author Suzanne G. Rogers)

Kiracover4I’d like to announce the release of my Yden prequel KIRA, which shines the spotlight on Kira Szul, the Nomad princess who figures prominently in the Yden trilogy.

Blurb:

Although Nomad princess Kira has trained all her young life to be a warrior, she begins to yearn for something more. She unwittingly stumbles onto a plot to invade Nomad Territory, but not before being poisoned with a potion that makes her a slave to her enemy. Although she manages to blunt the worst effects, she’s never free of her obsession for the handsome warlord who seeks to make her his bride. Can she find an antidote for the incurable poison running through her veins, or is she destined to become the enraptured wife of a wicked conqueror?

pagebreakAt the same time, I’ve revised and released The Last Great Wizard of Yden, and added a bonus Yden short story…

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Switching from 3rd to 1st person mid-story?

So recently I’ve been working on trying this out. Would it work? I’ve certainly never read any stories where anyone has tried this, though I’m sure I’m not the first to attempt it. I believe that it should be possible.

Where would one need to switch point of view? Well for starters, switching from 3rd to first person wouldn’t necessarily by switching the point of view. A good example would be if the narrator were to suddenly have to take an active part in the story. This is referenced below in a story that I have been working on recently.

Example:

Tom had no idea what to expect as he reached his hand up to the portal. How could he? There was no telling what was on the other side. The portal shifted in color from blue to red as his skin touched it.

Hesitant, he looked back at Tersa. She nodded at him to continue, “It’ll be okay, I’m not sensing anything malicious there.”

Tom turned back and stepped through the portal. He found himself in what looked like someone’s living room. There were two couches with end tables, a bar, a TV, and an assortment of antiques. Nothing looked out of the ordinary at all.

At that moment, Tom heard the pattering of keys and turned to see where the sound was coming from. There was a man dressed in black sitting at the table in front of an old Dell laptop. Tom stepped forward and cleared his throat before speaking, “Who are you?”

I stopped typing and looked up at him, surprised, “What… how did you get…”

At that moment, I recognized him and knew who he was, “So you actually made it, Tom. I was starting to think that you weren’t going to show.”

Tom’s eyes narrowed, “Where am I? Who are you?”

I stood up and smiled, “Well, I guess you can just call me the author… your author.”

“My author?” Tom asked. “What are you talking about?”

I showed him the screen of my laptop and the story that was currently being written… this story. His eyes widened as he saw the most recent events of his life accurately spelled out on paper, “What the hell? What have you been doing, stalking me?”

I chuckled, “No, not exactly… I’ve been writing you.”

“What?” Tom asked.

I sighed, knowing that what I was about to tell him would not be easy for him to hear, “Tom, you are a character in a story that I wrote about a year ago called Magnifica. The story was about a modern version of my world except with elves, dwarves, and magic in it. I created you, Toby, and Lia’na as part of the cast.”

Tom took a step back, “But that’s impossible!”

I placed my hand on his shoulder and sighed, “Tom, I know about what happened at Arcanus back in February. I was there. I know about your struggle since then for forgiveness. I know about your relationship with Tersa, and how she came to be.”

“How?” Tom demanded. “How could you possibly know that?”

“Because I created them all.” I replied.

Tom couldn’t believe what he was hearing and was trying to piece it together, “So what are you then, God?”

I laughed, “Not at all. I don’t have mystical powers; I’m not omnipotent or immortal. In fact, you have far more abilities than I do.”

“What do you mean?” Tom asked.

I watched his eyes as I responded, “With the flick of a key, I could make you ruler of the world. With a simple strike of a button, I could make you a God. Your possibilities are endless.”

Now Tom was piecing it together, “You wrote me as catalyst for Toby and Lia’na’s relationship. I was nothing more than a side character to be used as and discarded! You wanted me to be a villain… a guy who stood by and did nothing while an innocent girl was hurt. That’s why what I did was so out of character for me!”

I scratched my head as I took a step towards Tom, “At first you were. I had intended you to be an early turning point in the story, but as time went on, you became more. You changed and evolved into something that I had never intended. Now you’re on the center stage. Everything in this story depends on you.”

“I don’t want this.” Tom replied. “Please, take it all back, fix me, fix my world, and make it so that I never met Michael!”

“If only I could do that.” I replied. “The story has already been written. It has already been ingrained in the minds of the people who have read the story. “

**

Another possibility is if a new character needs to take over as the narrator.

In any case, drop me a line and let me know if you’ve encountered this kind of writing before.

Catch you on the flipside,
Jim

Countdown to Divinity!

So excited, Divinity will be published in another two weeks! Can’t believe it! 8 years in the making!!!

Synopsis:
How could it come to this? Why would God let this happen to me? These were questions two very different souls in very different circumstances were forced to ask.
Giovanni was a poor fisherman living in 16th Century Venice. His entire family had been lost to the white plague. He suffered through their deaths only to discover that he too was infected with it. He is now alone and questioning his faith.
The angel, Adalyn, was a hero of the Celestial War against Lucifer. All knew and admired her until she uncovered a plot to overthrow the Most High. In an attempted cover up, Adalyn is betrayed and cast out of Heaven. She is sent to the mortal world to face torture and death at the hands of the creatures she most fears: humans.
Their worlds become intertwined when, by chance, Giovanni rescues her while out fishing. Injured and blind as the result of her expulsion, Adalyn has little choice but to rely on this primitive creature for protection against the Church, Lucifer, and God’s own decree if she is to expose the true traitor and save all of existence.

Check it out on Amazon, Barnes and Noble, or (hopefully) at your local book store.

Departure: Chapter 2

Awesome new story to check out!

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The Callindra Chronicles Chapter 3

Yet another up and coming author, The Callindra Chronicles looks pretty interesting thus far.

thebenraven's avatarBenjamin Fisher-Merritt (author)

Glarian had found the Healer, purchased some boneknit root and enough basic supplies to hopefully last the winter.  He could feel something looming large on the horizon as he approached the inn and it was making him nervous.

“Strange weather eh?”  The man at the door said, looking at a cloudbank that was towering over the forest.  “Is a bit early for a storm but I ken we’re gettin un.  Yeh need a room fer th night?”

Glarian looked back at the hand cart he was pulling; he knew that he wouldn’t be able to drag it through any amount of snow.  He shook his head, “I’d best be heading back.  If I get caught out in the snow I’ll never make it home.  I do need a cask of wine and a jug though, something to keep me warm during those cold winter nights.”

“Wha yeh need’s a woman…

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Author Advice Pt. 3

Rewrites are our friends.

I know, it’s hard. You’ve just spent days, if not weeks getting your story down on a piece of paper or into a Word file. You’ve worked hard on it, but something just isn’t right. It doesn’t flow and no matter how many times you change things in the story, it still doesn’t work.

Now you’re thinking, maybe I should just scrap the whole thing and start over.

Well let me save you the debating… DO IT! Close out of that file, put the paper aside and start anew. I know it may seem like the first draft was a waste of time, but trust me, nothing a person creates with their own two hands is ever a waste of time. Maybe there is a theme or a scene from that first draft that you can use.

The second time through, your writing will be more polished and everything will look  better on paper.

Author Advice Pt. 2

Many will say to write alone in complete silence. I would say definitely alone so that you’re not distracted, but complete silence? Try that and then turn on some music that you absolutely love, something well orchestrated like either classical or Epic Metal, or something like that. When you hit a creative wall or can’t choose the correct words, stop for a moment. Flick on a song that has meaning to you, maybe one that has themes similar to what you’re writing (love, loss, happiness, defeat, victory, etc.) let the melody roll over you (try to ignore the lyrics). Listen to the tone of the singer’s voice as well. Feel the emotion… then write.

This is how I am able to write as much as I do. For me, this method of music therapy has worked wonders on improving my writing. Highly recommend trying it.

Try it out, then leave me a comment and let me know if it worked for you.

Catch you on the flip side.
-Jim

A New Inspiration

So I recently came across this new song off of Amaranthe’s CD. Over and done. This gave me the idea to rewrite a scene from my upcoming book where the Angel admits that she has romantic feelings that are forbidden for her species. It’s far more poetic now as a result.

Friday Fantasy ~ Fortune’s Favor

Beautiful poetry by a skilled writer!

Dorinda Duclos's avatarNight Owl Poetry - Dorinda Duclos

fortune teller

Mystical winds blow
A Mystery unfolds
Held in my hands
Fate hidden, untold

Conjuring Spirits
Bound, Beholden
Your Future unravels
Resplendent, Golden

A Crystal globe Shines
With Sun’s Magic Spell
Revenant, Fortune’s Favor
Enchantingly dwells

©2014 Dorinda Duclos All Rights Reserved

Photo via wallpaperup.com. Original artist credited there.

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The End

This won’t necessarily focus on one story, or even one series. It will more focus on serials and how the ending are handled. So let’s get to it, shall we?

Everyone loves a good ending, everyone. But what makes a good ending and what makes a bad one? Is a good ending the fairy tale happy ending where the hero gets the girl and rides off into the sunset? Or the ending the ties up all the loose ends? Not necessarily.

In this day and age, a lot of people will tell you that a dark ending is often more preferable to the fairy tale ending. Take… the butterfly effect for example:
http://www.youtube.com/watch?v=OqKWxAmOLaM&feature=related
This ending where Ashton Kutcher kills himself is the original ending to the story. At the last minute, the director cut this ending in favor of a lighter ending, thus making the theatrical version unwatchable as opposed to just a really bad movie. So in this case, a darker ending would have been preferable.

Another example of a good ending that doesn’t necessarily fit into the mold is from a movie I consider legendary: “No Country For Old Men.”
http://www.youtube.com/watch?v=C-iQldPiH64
This ending was powerful because it leaves you hanging. Did the bad guy finally redeem himself and show mercy, or did he kill her? We’ll never know. It’s the questions that this movie left wide open that makes this ending good, and this is one of the few movies that can actually pull off an open ending without the promise of a sequel.

So while the cookie cutter ending works, in the right circumstances, so does the ones that are outside the box.
So let’s move into the realm of the serial movie. Over the last few years, we’ve seen the rise and fall of 3-7+ part movies. These include Lord of the Rings, Star Wars, Twilight, Harry Potter, Star Trek, and even Pirates of the Caribbean to a lesser extent.

So in the multi-part movies, which ones got their endings right and which ones did not?
Probably the biggest crime in movie making is leaving an open ending when you know there will not be a sequel. Unfortunately one of the best examples of this kind of travesty is Star Trek: Nemisis.

So this movie ends with Data dying and… possibly being reborn in his more primitive ‘brother.’ You see Riker and Troi going off onto their own ship, and in a cut scene, Dr. Crusher was leaving to work at Starfleet Medical. The entire thing cuts out with the Enterprise E in dry dock getting rebuilt after it’s fight with the Scimitar.  So why is this ending so bad?
Maybe I’m nitpicking here, but the movie left too much open. The ‘new’ Data plot, plus who wasn’t curious whether or not Worf stays with Starfleet or joins the Klingon Empire with Martok, what about Geordi LaForge, he’s still there!
Just because you pull two crewmen off the ship, doesn’t mean the show is over. Star Trek 6 pulled Sulu and Rand off the Enterprise and put them on the Excelsior, and it’s still one of the best Star Trek movies out there. So there could be a sequel with Riker and Troi on the Titan. I guess my major problem is that you knew the TNG crew was getting up there and this was likely to be their last movie, so you expected more of a solid ending. Star Trek 6 had the Enterprise being decommissioned and Sulu going off on his own missions. This was a solid ending.
Nemisis, in my opinion, would have been a much more solid film had they come to Picard and told him that the Enterprise was too damaged to be refit, retired her, given Picard a promotion, and broken up the crew. That would have made sense.

Another rather famous disaster is one that is actually more tragic… mostly because they got it perfect the first time, AND THEN ROYALLY MESSED IT UP!!!
Star Wars: Return of the Jedi. In all my days I have never seen one minor alteration mess up the ending for an entire series. Let’s explore it shall we?
http://www.youtube.com/watch?v=ALEnOpzqFpk
This ending, the original featured Sebastian Shaw playing Anakin Skywalker (Luke’s father). Note the look in the man’s eyes. It’s bittersweet. He is clearly happy to see his children together, alive, well, and happy, but at the same time, you see the sadness in his eyes. Sadness caused by the time he never got to spend with them. This, to me, is unbelievably powerful. It shows that Luke successfully saved his father, but it also shows the humanity that returned when Anakin became his former self.
Now let’s look at the… remastered version…
http://www.youtube.com/watch?v=SFvFjrb2jMI
Ugh… no emotion, no regret for lives lost, or the time he didn’t get to spend with his children. Just more of Hayden Christiansen’s bad acting. This is why I own a copy of the original and refuse to recognize this as anything more than a fan-dub ending from an idiot with too much time on his hands.

So now that we’ve established what doesn’t work, let’s move on to what does… Lord of the Rings. I could devote a whole post to analyzing the ending(s) to this movie BECAUSE THERE WERE LIKE 12 OF THEM!!! I would have preferred it if the movie had either ended with Frodo and Sam on the side of the Mountain, or with Frodo and Gandalf sailing away on the ship. Sadly neither was the case. I can’t really bash this movie too bad because they did literally tie up all the loose ends in the series. So I will give them a pass for over-extending the endings.

Another series that I feel does this really well is Pirates of the Caribbean… I am of course ignoring the second movie and going for the 1st, 3rd, and 4th.
I love the Episodic nature of these movies. Each is an individual story line that gets completely tied up at the end of the movie so you think there won’t be a sequel, BUT HEY! Right there, after the credits, there is a new plot point where a sequel could pop up, if not, well it was a good thrill to see a little extra.

So now we reach the bottom of the barrel. I take back what I said earlier about what the worst crime in a movie ending is, because movies like Dungeons and Dragons commits an even bigger crime: They push an ending saying that there is going to be a sequel. Thus leaving everything open. I have two major issues with this:

1. You’re assuming your audience will love the movie enough to justify a sequel.

2. You’re focusing more on profits then making a good movie!

Case and point, D&D flopped and the movie had no sequel… Thus the ending only made a bad movie worse and gave the audience the finger. Perhaps if the crew were focused on the story opposed to the dollar signs, they would have come up with a better script, plot, cast… okay I’ll stop.

So I guess in the end, the only good ending is the ending that either, surprises you, satisfies your questions, or really makes you think.

Proof Copy

Please be sure to check out this awesome looking story. Can’t wait for it to be released!

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Why do books not always translate well to movies?

It’s not always the easiest question to answer. A lot of things go into making the jump from the written word to the big screen. Sometimes it works well, sometimes it doesn’t. Some stories weren’t ever meant to be turned into movies while others seem like they were made for it. Let’s explore some of the reason why a book may not translate well:

1. Scripting issues.
Contrary to some ill-informed beliefs, you can’t just have someone read from the book. You can’t. As a result, a writer has to sit down and turn the book into a playwright that can be acted out. Most often, it’s not the author of the original book that does this and it’s usually not just one writer. As with all things, one writer’s creative interpretations are usually quite different from another’s. This will result in the writer’s ‘interpretation’ through dramatic license of how they think the author’s story is supposed to go.

-A second problem is that while a script may have been sold, it’s not necessarily finished and more writers need to be called in finish the job, more writers mean more interpretations. Sometimes for the better… sometimes not…

-Another problem is a director, whose vision differs from that of the writer. In the end he has the final say and script rewrites can happen here at the director’s behest.

2. Studio Interference.
So you have your story, it’s great, people love it, and it’s well-known. So then you sell the rights to make it into a movie. Congrats, you’re rolling in dough… but now the studio takes over control of the story and the work begins to make it more fitting for the screen. Now some of these changes are obvious and necessary, such as cutting scenes to keep with a shortened run time or perhaps turning large blocks of dialogue into a more visual medium. This is to be expected with every story that makes its way to the big screen.
Books are taken through a lot of dialogue, that’s the medium, but movies are a visual medium and people want to see, they don’t want things described to them.
However… these changes are not always positive and some times they degenerate into a rather blatant form of meddling, adding more sex appeal to characters, perhaps adding in a comic relief character that wasn’t in the book or was a much less important character. Finally, product placement and merchandising comes into play. Once everything is done… the story can way too easily become unrecognizable from the original work.

3. Author interference.
In many cases, when we’re dealing with a more well-known author, extra steps have to be taken in order to get the rights to their books. The writers may make certain demands that the studios will have to work around. They also may often want to appease the author afterwards as there is no greater death sentence to a movie than a poor review from the person who wrote the original story.

This is one area that I’d caution about. If your film does get looked at to be turned into a play or a movie, be careful! Is the money you’re being offered worth having your story cannibalized? Most would say yes, but just make sure what you’re getting into, make sure that you can have your name pulled if you don’t like it, and make sure to have a lawyer read over the contract and negotiate things that you don’t want changed. Otherwise… you end up like these people…

Michael Ende:
This is one of my most beloved movies from my childhood. Imagine my surprise when I found out that the theme of the movie is actually ass-backwards from that of the book it was based on. It turns out that the book was condemning people who get lost in a fantasy world whereas the movie promoted the idea, saying that people no longer dreamed and thus were destroying themselves.
Ende absolutely loathed The NeverEnding Story to the point that he did everything he could until his dying day to destroy the movie. Apparently, the producers of the film hired other writers to do the above-mentioned edits to Ende’s script… completely neglecting to tell him anything about it. Ende was furious when he found out, but because the studio already owned the rights, he was largely ignored.
Ende was so angry that he had his name removed from the movie and proceeded to throw a multi-decade temper tantrum in the form of lawsuit after lawsuit. Ironically as the movie franchise became little more than a $1.99 at the gas station movie bin filler, starring Hollywood nuisance, Jack Black, by the time the 3rd movie came out, makes Ende’s anger seem… almost understandable.

P.L. Travers
I have never heard of anyone hating the movie that was based on their story more than her! She actually hated Walt Disney’s Mary Poppins more than I did!
By no means did she want her beloved story made into a movie and didn’t want Walt Disney’s… tackiness anywhere near it. Walt wouldn’t acquire the rights to MP for nearly 2 decades. It wasn’t until she fell on financial hardship that she finally surrendered the rights. Even so, she fought hard against the movie in almost every aspect. She hated the animated penguins, the senseless made up words, Julie Andrews and Dick Van Dyke, even the color red was objected to. Rumor has it she was also deeply offended by Dick Van Dyke’s accent!
After seeing the finished product, she was so distraught that she went to tear Disney a new one, but there was nothing she could do.
As she began to get on in years, Travers gave her consent for a stage version of Mary Poppins under the very strict condition that absolutely no one who worked on the Disney film could be involved in any way, shape of form. Furthermore, she wanted  only British writers to be hired to write it.
Rumor has it that she went so far as to attack Walt Disney in her will. Making her hatred of the film known one last time… eesh.

So clearly you can see what happens when studios go out of control. So before parting with the rights over your intellectual work in any way shape or form, please know what you may be getting yourself into!